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현대사진영상학회> 현대사진영상학회 논문집> 아방가르드 영화 《맨하타》 에 나타난 스트레이트 사진의 메타-구조

KCI등재

아방가르드 영화 《맨하타》 에 나타난 스트레이트 사진의 메타-구조

On the Meta-Structure of Straight Photography Appeared in the Avant-Garde Film 《Manhatta》

정훈 ( Jung¸ Hoon )
  • : 현대사진영상학회
  • : 현대사진영상학회 논문집 23권1호
  • : 연속간행물
  • : 2020년 04월
  • : 37-51(15pages)

DOI


목차

1. 서론
2. 본론
3. 결론
참고문헌

키워드 보기


초록 보기

The film 《Manhatta》 (1921), produced by Paul Strand and Charles Sheeler, is considered the first avant-garde film in the U.S. Still, it has been relatively overlooked in the history of photography and art as well as in the history of film. However, 《Manhatta》 seems to be an important work for the history of photography to understand the initial stage of straight photography by Alfred Stieglitz, Strand, and Sheeler. It breaks down the perceptual center of perspectivism with a cubist view and sketches out the montage image of self-reflective perception. In this dialectic process of disintegration and reconstruction, it changes the eyes of the audience, who traditionally accept the camera’s view. Reflecting these characteristics, this study will analyze the relationship between visual singularity that appears in 《Manhatta》 and the initial works of Strand (and Sheeler) to reveal the meta-structure inherent in the 《Manhatta》. Through this analysis, it will clarify 《Manhatta》 is essentially the non-narrative film image reflecting the genealogy of a straight photography and the in-depth potentiality of it.

UCI(KEPA)

간행물정보

  • : 예체능분야  > 기타(예체능)
  • : KCI등재
  • :
  • : 연3회
  • : 1229-3512
  • :
  • : 학술지
  • : 연속간행물
  • : 1998-2020
  • : 214


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발행기관 최신논문
| | | | 다운로드

1렌즈기반 미디어 수업이 수업참여도와 수업만족도에 미치는 영향요인 분석

저자 : 유기상 ( Ryu¸ Ki Sang )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 23권 1호 발행 연도 : 2020 페이지 : pp. 5-22 (18 pages)

다운로드

(기관인증 필요)

초록보기

This study is to analyze the influencing factor of lens based media classes on on level of class participation and level of class satisfaction, and analyze the mediated effect of level of class participation in the relationship between lens based media classes and level of class satisfaction. Through this, this study is to analyze the relationship effect on the level of class participation from theory class, participation class and interest class, and find the way how to induce the students class participation on their own initiative and suggest an alternative to improve the level of class satisfaction. For this study, it was done based on the Chungnam and Incheon province where the is the work place of researchers and university students who have experience in taking lens based media classes were participated as a face to face and online survey. SPSS 23.0 was used and frequency analysis, correlation analysis, regression analysis and etc were conducted with 180 available questionnaires of total 220 questionnaires. The result of study, First, it shows that the lens based media classes are giving an effect on level of class satisfaction. In particular, participation class and interest class are in high level of class satisfaction. The theory class is most lowest level of class satisfaction. Second, it shows that the lens based media classes are giving an effect on the level of class participation. A practical training and experience are inducing students class participation on their own initiative and make students feel satisfied and an active response. Third, the level of class participation is a mediated effect in related between lens based class and level of class satisfaction. Based on the result of this study, we provide the basic information to plan and make the education program which can improve the level of class participation and satisfaction of student.

2중국의 문화 및 문명이 <나타(哪吒之魔童降世)>에니메이션에 미치는 영향

저자 : 이이맹 ( Yimeng Li ) , 주종우 ( Jongwoo Joo )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 23권 1호 발행 연도 : 2020 페이지 : pp. 23-36 (14 pages)

다운로드

(기관인증 필요)

초록보기

In July 2019, the animation was released in China. The animation has earned a high box office and reputation thanks to its mature special effects and novel storyline. There are nearly 10 Chinese animations about Nezha (哪吒), but similar to each other in both character and story. , though still based on traditional stories, it has made great innovations and breakthroughs in characters, content, and special effects. It balanced the modernist civilization and historical culture and broke the limitation of Chinese animation in telling stories according to traditional culture. Also, the innovations and use of relevant historical culture is worth study. The animation Improves the situation that Chinese animations are only accepted by children and sets a new benchmark for other Chinese theme animations.

3아방가르드 영화 《맨하타》 에 나타난 스트레이트 사진의 메타-구조

저자 : 정훈 ( Jung¸ Hoon )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 23권 1호 발행 연도 : 2020 페이지 : pp. 37-51 (15 pages)

다운로드

(기관인증 필요)

초록보기

The film 《Manhatta》 (1921), produced by Paul Strand and Charles Sheeler, is considered the first avant-garde film in the U.S. Still, it has been relatively overlooked in the history of photography and art as well as in the history of film. However, 《Manhatta》 seems to be an important work for the history of photography to understand the initial stage of straight photography by Alfred Stieglitz, Strand, and Sheeler. It breaks down the perceptual center of perspectivism with a cubist view and sketches out the montage image of self-reflective perception. In this dialectic process of disintegration and reconstruction, it changes the eyes of the audience, who traditionally accept the camera's view. Reflecting these characteristics, this study will analyze the relationship between visual singularity that appears in 《Manhatta》 and the initial works of Strand (and Sheeler) to reveal the meta-structure inherent in the 《Manhatta》. Through this analysis, it will clarify 《Manhatta》 is essentially the non-narrative film image reflecting the genealogy of a straight photography and the in-depth potentiality of it.

4예술에 관한 치유와 소통 다큐멘터리의 특성 분석: 다큐 <예술, 할까요?>를 중심으로

저자 : 최우 ( Woo¸ Choi )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 23권 1호 발행 연도 : 2020 페이지 : pp. 53-65 (13 pages)

다운로드

(기관인증 필요)

초록보기

There have been many art documentaries until now, but most of them focused mainly on specific artists or their works have been gone on the air. It can be said that the emotional and aesthetic parts and characteristics of art have been more emphasized. Recently, as the platform of video is spreading to the internet in addition to movies and TV, various approaches and analyzes are being shown in documentaries in various fields including art documentaries.
The documentary  focuses on the social role rather than the personal domain, so I see the necessity to study the essence and importance of it Through the analysis of this documentary, I would like to examine the new perspectives dealed with in the art documentaries today, and will examine the characteristic forms of it. I think that  is meaningful because the documentary's journalistic and social participant character is better emphasized despite dealing with the content of art.
First of all, in the point of view of content analysis I would like to look at the meaning of art based on educational and social communication, focusing on the examples and meanings in . Also, in terms of formal analysis I will analyze the art documentary focused on the make-over format, and we will also look at examples from other documentaries and will consider the significance of makeover format in documentaries. Finally, I will analyze the visual aesthetic aspect of . I will research the major aesthetic image elements and how they are used in the art documentaries, and will scrutinize each individual esthetic element while at the same time maintaining an overview of how they all interact contextually. I am convinced that these visual aesthetic elements make the message and the meaning in the work communicated effectively.

5생애전환기 신중년 세대를 위한 사진 문화예술교육의 가치와 프로그램 개발

저자 : 현혜연 ( Hyun¸ Hye Yeon )

발행기관 : 현대사진영상학회 간행물 : 현대사진영상학회 논문집 23권 1호 발행 연도 : 2020 페이지 : pp. 67-88 (22 pages)

다운로드

(기관인증 필요)

초록보기

In Korea, the New Year refers to adults aged 50 to 64, especially those with similar historical and social experiences as baby boomers. They need social support and support for their well-being in old age. The more satisfactory the transition is made, the more likely it is to have a healthy old age. Cultural art is very useful in such a life-changing task in that it provides a process of reflection to look back on one's own life and dreams of the direction of community life. In order to achieve the task of life-changing healthily, this paper tries to clarify why photography is useful, and suggest photo education programs. We would like to consider that photography can play a significant role in the transition of middle-aged life.

1
주제별 간행물
간행물명 수록권호

KCI등재

미학 예술학 연구
61권 0호 ~ 61권 0호

KCI후보

미용예술경영연구
14권 3호 ~ 14권 3호

KCI등재

현대사진영상학회 논문집
23권 2호 ~ 23권 2호

KCI등재

한국공간디자인학회 논문집
15권 7호 ~ 15권 7호

KCI등재

디자인융복합연구
19권 5호 ~ 19권 5호

KCI등재

예술교육연구
18권 3호 ~ 18권 3호

KCI등재

한국사진학회지 AURA
45권 0호 ~ 45권 0호

KCI등재

한국사진학회지 AURA
45권 0호 ~ 45권 0호

KCI등재

한국공간디자인학회 논문집
15권 6호 ~ 15권 6호

KCI등재

한국공간디자인학회 논문집
15권 5호 ~ 15권 5호

KCI등재

디자인융복합연구
19권 4호 ~ 19권 4호

한국건강미용문화응용과학학회 학술대회자료집
2019권 0호 ~ 2019권 0호

SSCI

한국건강미용문화 응용과학회지
1권 0호 ~ 1권 0호

KCI후보

미용예술경영연구
14권 2호 ~ 14권 2호

KCI등재

예술과 미디어
19권 1호 ~ 19권 1호

한국반영구화장학회지
1권 1호 ~ 1권 1호

국제문화예술
1권 1호 ~ 1권 1호

KCI등재

예술교육연구
18권 2호 ~ 18권 2호

KCI등재

미학 예술학 연구
60권 0호 ~ 60권 0호

KCI후보

연극예술치료연구
12권 0호 ~ 12권 0호
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