간행물

한국일어일문학회> 일어일문학연구

일어일문학연구 update

Journal of Japanese Language and Literature

  • : 한국일어일문학회
  • : 어문학분야  >  일어일문학
  • : KCI등재
  • :
  • : 연속간행물
  • : 계간
  • : 1226-2552
  • :
  • :

수록정보
수록범위 : 1권0호(1979)~106권2호(2018) |수록논문 수 : 2,973
일어일문학연구
106권2호(2018년 08월) 수록논문
최근 권호 논문
| | | |

KCI등재

1'가라'(唐)와 '고마'(高麗)-『겐지 모노가타리』(源氏物語)에 나타난 동아시아문화 인식 -

저자 : 이미숙 ( Lee Mi-suk )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 3-26 (24 pages)

다운로드

(기관인증 필요)

초록보기

本稿は『源氏物語』における「唐」と「高麗」の用例、中でも「唐」と「高麗」が一緖に書かれている場面に注目し、平安時代前半期の東アジア文化に對する認識の一端を考察したものである。
『源氏物語』及び平安時代の「唐」と「高麗」をめぐっての最近の硏究は「高麗」を獨自の價値のある文化地域として認めず廣義の「唐」として看做す傾向がある。しかし、「唐」と「高麗」が一緖に書かれている『源氏物語』における場面に注目したとき、「唐」と「高麗」は對比する文化地域として形象化されており、そこからの舶來品もまた獨自の文化的な價値を持つものとして認識されている。なお、「高麗」は『源氏物語』において一般的に「渤海」として理解されているが、平安時代以前の用例の分析や平安時代前半期の古代日本の對外交流などから「高句麗、渤海」さらに「高麗」まで含む韓半島に基盤を置く國を指すものとして考えることもできる。もう一つ注目すべきは、平安時代以前最高の價値あるものとして認識されてきた「高麗」の品物または文化に對するイメ一ジが『源氏物語』においては變化を見せているということである。このような『源氏物語』における東アジア文化に對する認識の轉換は、渤海の滅亡後高麗との交流も盡ならなかった狀況の中で日本の對外交涉が專ら中國に依存するようになり、「唐」の舶來品が主流を成したことも一つの要因として考えられよう。


This paper focuses on the scenes where 'Kara' and 'Koma' examples in "Genjimonogatari" are written together, especially 'Kara' and 'Koma', and consideration of a part of the recognition of East Asian culture in the first half of the Heian period.
Recent studies on "Genjimonogatari" and the Heian era 'Kara' and 'Koma' tend to be regarded as 'Kara' in a broader sense without recognizing 'Koma' as a unique worthy cultural area. However, when attention is paid to the scene in "Genjimonogatari" where 'Kara' and 'Koma' are written together, 'Kara' and 'Koma' are shaped as contrasting cultural areas. There is also recognized the imported goods therefrom as having their own cultural value. Also, 'Koma' is commonly understood as 'Balhae' in "Genjimonogatari". However, it can also be thought of as referring to the Korean Peninsula-based countries including 'Goguryeo, Balhae' and 'Goryeo' from the analysis of examples before the Heian period and the foreign exchange of ancient Japan in the first half of the Heian period. Another thing to consider is that the image of 'Koma' goods, which has been recognized as the most valuable thing before the Heian period, is changing in "Genjimonogatari". Such a change in the recognition of East Asian culture in "Genjimonogatari" is that after the destruction of Balhae, the exchange with Goryeo was not going well, Japanese foreign trade exclusively depended on China, Important items from 'Kara' have become main streams may be considered as one factor.

KCI등재

2『해도기(海道記)』의 미야코(都)

저자 : 이영경 ( Lee Young Kyung )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 27-48 (22 pages)

다운로드

(기관인증 필요)

초록보기

『海道記』の敍述は、當代の貴族の傳統的な表現世界の樺組みを維持しつつも、そこから離れた多樣な樣相が含まれている。これは、古代の傳統への歸屬と乖離とも言える。 例えば、都に關わる表現が非常に多く登場するが、傳來の表現とは異なる役割の機能が新たに付加される。
一つに、傳統的な觀点の敍述方式で見るときに、都は無意識的であり、觀念的な懷かしさの主體である。これは同時代の傳統的な和文脈の樺組みの中に潛在することを意味する。しかしながら『海道記』は、老母という、懷かしさの直接的な背景である原因が、都を通じて全面的に登場する。そして、敍述者の感情の機微を傳達する新たな役割の機能が都に付加される。都は、敍述者の精神的な無意識の主體ではなく、敍述者自信の內面の感情を表すために借用された付加的な表象である。
二つに、敍述者は都に歸國する際に、歸京の喜びより鎌倉から離れる惜しさをそのまま表出する。まさに、ここで『海道記』の表現の特徵が起因する。當時、貴族社會において、都は、愛着の空間であり、王朝の象徵であり、傳統と秩序の表象だった。ところが、『海道記』の都の表現は、傳統的な表現世界の秩序と規範から脫皮する。それは、當代の敎養人の傳統的な表現の秩序と類似しながらも、同時に、他の理解の可能性への擴張であり、到來する中世という時代的な要求と意識の變化を反映することを意味する。
このように、『海道記』に敍述された都の表現の役割と機能は、社會文化史的に、時代の變化を先取りした象徵のキ一ワ一ドともいえよう。都の持つ多層的な含蓄性に對する深層分析を通じて、さらに『海道記』に對する理解の地平を廣げることができると思われる。


The expression of 'Kadoki' has various expression styles, while maintaining the tradition of the nobility's expression at the time. This can be expressed as the escape and, at the same time, related to ancient tradition. For example, the frequently described term 'Miyako' is introduced with newly added function.
First, in the expression of traditional methods, 'Miyako' was a subject of unconsciously representative symbol as longing for. This means staying within the framework of the traditional Waka's narrative method of contemporary age. However, the facet in "Kaidoki" is quite different. The former means staying within the framework of the Waka's traditional narrative method. In the latter, a new function to convey the inner feelings of the narrator was added to 'Miyako'. 'Miyako' is also no longer of normative representations, but an additional figure to reveal the inner feelings of the narrator himself.
Secondly, while taking a trip to Miyako, the narrator expresses a sense of frustration in leaving Kamakura rather than merely pleasure. From here comes the complication: not only maintaining the literary canons of the ancient age, but also expanding the horizons to different understandings. 'Miyako' was a space of attachment, a symbol of dynasty, tradition and old oder. In parallel, it is permeated with private feelings. It means pre-reflecting changing private emotions between the conventional norms and a coming future (middle age).
In conclusion, the role and function of 'Miyako' is a preoccupation which symbolizes a change of socio-cultural history. Therefore, through an in-depth analysis of Miyako's multi-layered implications, we will be able to further expand our understanding of "Kaidoki".

KCI등재

3유메마쿠라 바쿠의 『음양사』의 방법과 소재로서의 고전

저자 : 이시준 ( Lee Si-jun ) , 장경남 ( Jang Kyong-nam ) , 황민호 ( Hawang Min-ho )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 49-70 (22 pages)

다운로드

(기관인증 필요)

초록보기

근대문학 작가 중, 아쿠타가와 류노스케(芥川龍之介)나 다자이 오사무(太宰治)는 소설 창작에 있어 고전을 소재로 활용한 작가로도 유명한데, 현대 작가 중에서는 고교쿠 나쓰히코(京極夏彦)와 유메마쿠라 바쿠(夢枕獏)가 고전을 잘 활용하는 작가로서 주목된다. 본고는 일본에서 음양사관련물의 붐을 일으킨 장본인 유메마쿠라 바쿠(夢枕獏)의 『음양사』시리즈 1권의 고전 활용방법에 대해서 고찰하였다. 작은 에피소드로 활용된 고전소재를 차지하고, 스토리 레벨에서 영향을 미친 경우를 살펴보면 전 6편의 단편 중, 3편이 특정한 한 고전작품의 영향이 강했고, 2개의 단편은 복수의 고전이나 역사적 사실에 기반해서 스토리가 짜여 졌음을 확인할 수 있었다. 고전 활용의 측면뿐만이 아니라 유메마쿠라의 소설이 만화, 영화, 극예술 등 다른 매체와 결합되는 미디어믹스의 현상에 관해서는 차후의 과제로 삼고자 한다.


Out of modern literature authors, Akutagawa Ryunosuke or Dazai Osamu is famous for using classics as a material for the creation of novels. Out of contemporary authors, Kyogoku Natsuhiko and Yumemakura Baku grab attention as the authors who use the classics well. This paper considered how to use the classics of the first volume of a series 『onmyouji』 by Yumemakura Baku who created a boom of onmyouji-related materials in Japan. Leaving the classical materials used as small episodes aside, the cases having effects on the story level were examined. Out of total six short stories, three stories showed the strong influence of a specific classical work. Two other short stories were composed based on the plural classics or historical facts. On top of the aspect of using classics, the media-mix phenomenon in which Yumemakura's novels are combined with other media such as cartoon, film, and dramatic art would be dealt with as a future task.

KCI등재

4일본근세기 지식인 모임과 지식의 형성 - 토원회(兎園會)와 『토원소설(兎園小說)』을 중심으로 -

저자 : 홍성준 ( Hong Sung-joon )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 71-88 (18 pages)

다운로드

(기관인증 필요)

초록보기

本硏究は、18-19世紀の日本において盛んに行われた知識人の會と考證隨筆の執筆が「知識」の形成とどのような關わりを持つのかを考察した成果の一部分である。
兎園會とは、曲亭馬琴を中心とする知識人の會で、珍しい話や奇談を交わしながら互いの知識を共有し見聞を廣めるために1825年に結成された。兎園會には樣々な分野で活躍する知識人たちが參加し、そのため異なる關心分野と專門分野の知識が共有できた。兎園會で話し合って共有した知識は、『兎園小說』として編纂された。その內容は、知人の消息から世間の噂話のような「情報」をはじめ、隱語や故事關連の內容などの「知識」も含まれている。このことは兎園會が單に「情報」の共有のみを目的に結成されたのではなく、「知識」共有の性質をも持っていることを意味する。
このように知識人と呼ばれた文人たちが中心となって結成された會を通して多くの「知識」が共有され、これが文字として書かれ書籍が編纂されたことをきっかけに、知識は會から外へ廣がった。江戶や京都、大阪のような書籍流通の中心地で知識が形成され、書籍流通の活性化によって知識が擴散されたのである。


This research is a part of the result of considering how the association of intellectuals vigorously conducted in Japan in the 18th and 19th century and the writing of essay writing correlated with the formation of "knowledge".
Toenkai was formed in 1825 to share knowledge and spread the view while exchanging rare stories and strangers at a meeting of intellectuals by Kyokutei Bakin. Intelligent people who are active in various fields participated in the Toenkai, so it was possible to share knowledge of different areas of interest and expertise. The knowledge shared by discussing at Toenkai was compiled as "Toenshosetsu". The content includes "information" such as gossip stories of the public from the fate of acquaintances, "knowledge" such as contents of lyrics and story-related content. This means that Toenkai was not formed solely for the purpose of sharing "information" but also has the property of "knowledge" sharing.
Many "knowledge" was shared through the association formed mainly by writers who were called intellectuals, and as a result of the fact that this was written as a letter and books were compiled, and then knowledge spread out from the party. Knowledge was formed in the center of book distribution such as Edo, Kyoto, Osaka, knowledge was spread by revitalization of book distribution.

KCI등재

5이세모노가타리 「女はらから」에 관한 일고찰

저자 : 송귀영 ( Song Kwi Young )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 89-106 (18 pages)

다운로드

(기관인증 필요)

초록보기

이세모노가타리의 「初冠」단이, 이로고노미, 미야비를 대표하는 것으로 자주 언급된다. 그러나 실제로 그 내용을 살펴보면, 무엇이 이로고노미를 상징하고, 무엇이 미야비를 나타내는 것인지 알 수 없는 게 사실이다. 심지어 「初冠」단에 나오는 두 수의 와가는 남녀 간의 정을 나누는 내용의 노래가 아니다. 이것이 이로고노미를 대표하는 내용이라면 매우 이례적인 예이다.
또한, 본문의 내용 중에도 「女はらから」와 같이 복수의 여성이 그 대상으로 등장하고 있어 이 또한 매우 이례적인 예라 하겠다.
이와같은 이례적인 표현들이 쓰인 이유에 대해, 본문 중의 「狩り」「しるよしして」 「なまめいたる」 「ふる里」 「はしたなくて」 등과 같은 표현들과 연계하여 역사적인 사실을 근거로 살펴보았다.
우선 「初冠」단의 昔男를 아리와라노 나리히라라고 하는 데에 모순이 없는가를 점검하였고, 그런 다음 나리히라 시대를 기준으로 상황에 근접하여 본문 내용을 확인해 나가는 방법으로 고찰하였다. 그 결과 平城上皇과 藥子の變이, 奈良の京가 ふる里로 표현되는데 가장 적합함을 확인하였다.
藥子는 3남2녀를 낳은 여인으로, 그녀의 장녀는 平城上皇의 황태자 시절에 황태자비의 한 사람이다. 藥子는 딸의 시중을 위해 함께 입궁하는데, 막상 황태자는 엄마인 藥子를 총애하게 된다. 몹시 심약한 체질이던 황태자는 점점 더 藥子에게 의지하는 바가 커지는데, 마침내 친동생인 嵯峨天皇에게 양위를 한다. 그러나 藥子 일당은 奈良の京로 다시금 천도하여 권력을 행사할 것을 주장하여 일을 꾀하는 데, 이것이 藥子の變이다. 그러나 藥子の變은 비참한 실패로 끝나고, 平城上皇의 측근들은 奈良の京에 남아 초라한 생을 살아야 했다. 「初冠」 본문에 등장하는 奈良の京에 「はしたなくて」 살고 있던 「なまめいたる」 「女はらから」는, 藥子의 두 딸일 가능성이 높음을 고찰하였다.


Uikoburi-dan, the first 'dan' of Isemonogatari is generally known as the typical “Irogonomi” or “Miyabi”. However, when we read the detail, in fact, it is very difficult thing to make sure which parts are imaged as “Irogonomi” or “miyabi”. Especially, the two Waka appeared in the Uikoburi-dan, even are not written a love of men and women. Doubtlessly, it is very hard to comprehend.
There is one more unusual thing, two women who appears to be the central protagonist as “Onna-harakara” in one love story. It is almost impossible thing at least usually in ordinary love story.
Should be given careful consideration based on those of words 'kari' 'shiruyoshishite' 'namameitaru' 'furusato' 'hashitanakute' and related with historical facts. I established that Ariwara-narihira is appropriate or not as a hero of Uikoburi-dan of Isemonogatari. And then researched and matched with historical facts close the time of Ariwara-narihira.
Finally, I derived a conclusion, it is the story of Heizei emperor and Rebellion of Kusuko. Kusuko had three sons and two daughters. One of her daughter was the Queen of Heizei emperor. But, her mother Kusuko engrossed Heizei emperor. Eventually, Kusuko had a politicak desire. To order the relocation of the capital city from Kyoto to previous capital city Nara for trying to exercise political leverage. As rebellion of Kusuko ended in failure. Kusuko was executed and Heizei emperor and his close associates lived a quiet life for the rest of their days at Nara insignificantly.
The possibility of offer the 'hashitanakute' 'namameitaru' 'Onna-harakara' it would seem to be the two daughters of Kusuko as Heizei emperor's close associates as one of Queen and her attendant. Both of two were described as 'Onna-harakara'.

KCI등재

6『히간스기마데』의「스나가의 이야기」에서 본 억압과 도피 - 스나가 이치조의 이성애 -

저자 : 야노다카요시 ( Yano Takayoshi )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 107-125 (19 pages)

다운로드

(기관인증 필요)

초록보기

본고는『히간스기마데』의「스나가의 이야기」에 나타난 스나가 이치조의 이성애를 억압과 도피라는 심리적 관점에서 분석한 것이다. 스나가는 여성에게 언제나 부정적인 태도를 취하고 자신의 욕망을 억압하고 욕망으로부터 도피하고 있다. 이성애에 대한 스나가의 억압과 도피는 그의 출생을 둘러싼 그의 죄의식에 의한 것으로 볼 수 있다. 자신이 남녀사랑의 실수로 태어났다는 죄의식이 그의 여성에 대한 욕망을 억압하고 이성을 사랑하는 것을 방해하고 있다. 그가 치요코를 사랑하지 못하고 그녀와 결혼할 수 없는 것은 그의 마음속에 이와 같은 이성애에 대한 억압과 이성으로부터 도피하려는 심적 외상이 있기 때문이다.


Until now the character and works of Soseki were studied by the aspect of egoism or mental disorder. Even thou there were many argument about unusual character of Sunaga in the literature of Higansugimade, the reason why he could not get marry to Chiyoko is not clear. Sunaga always assumes the negative attitude to woman. Because he oppresses his sexual desire and he tries to escape from this kind of desire. Many people say that Sunaga's abnornal reaction to Chiyoko causes from his egoism or introversive character or neurosis. But even thou the sense of guilt of Soseki and his work were argued many times, the relationship between sexual desire and sense of guilt of Sunaga was not refuted. These oppress and escape from sexual desire occurred to Sunaga by the sense of gilt to his secret birth. In this way his sense of sin to sexual desire oppresses him and makes him try to escape from sexual desire, or love from woman.

KCI등재

7'군국소년'의 자살과 일본의 전후기억

저자 : 최범순 ( Choi Bum-soon )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 127-147 (21 pages)

다운로드

(기관인증 필요)

초록보기

日本は、1950年代後半に異例な20代の自殺率を記錄する。その自殺率は、世界的にもその例がないほどである。當時の日本の新聞は20代靑年の自殺について報道したが、硏究のレベルではその原因と意味を深く檢討した例がこれまでない。さらに注目すべきことは、1950年代後半に20代であった靑年たちが1990年代後半に再び60代の男性として高い自殺率を示すということである。1950年代における日本の20代靑年の自殺問題は、日本の戰後をつらぬく問題なのである。本稿はこのような事實に着目し、1950年代後半の20代靑年の自殺原因を戰爭經驗から探るとともに、この問題にあらわれる日本の戰後記憶の在り方の問題を指摘した。


Japan records an unusual 20's suicide rate in the late 1950s. The suicide rate is unprecedented globally as well. At that time the Japanese newspaper wrote articles on suicide in youth in their twenties, but at the level of research there is no example of deeply considering its causes and meanings. More remarkable is that the generation that was in his 20s in the late 1950s again shows a high suicide rate in the latter half of the 1990s. The suicide problem of Japanese 20's in the latter half of 1950s is a problem that will undermine Japanese society after the war. In this paper, I focused on such facts, and explored the cause of suicide in young people in their twenties in the latter half of the 1950s from war experiences, and pointed out the problem of Japanese postwar memories appearing in this issue.

KCI등재

8시마자키 도손의『어린이에게(幼きものに)』론 - 충실한 부모로서의 출발 -

저자 : 천선미 ( Chun Sun-mi )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 149-167 (19 pages)

다운로드

(기관인증 필요)

초록보기

本稿は『幼きものに』(1917)を通じてフランス滯在後、藤村の親としての成長過程を考察した。渡佛前、突然妻が死亡し、一人になって仕方ない狀況で子どもたちの面倒を見ながら始まった初期親の意識は未熟で否定的だった。しかし、『櫻の實の熟する時』(1917)を通じて遠い他國で母親と母性を肯定的に見始めてから歸國後にはお母さんをはじめて親として意志し始めたということが分かった。このように藤村の親の意識は'母'中心に展開され始める。ところが同時期に發表された『幼きものに』には初めて親としての'父'が登場していた。しかし、'母'も同時に現れていることから、偏向されることなく、ひたすら子らの安否を心配する眞の親の姿をアピ一ルしようとしたことを知ることができた。つまり、『子供に』は藤村が初めて親の正しい槪念の定立を見せている作品だった。
『子供に』を切っ掛けで、親の意識が成長して確立され、その後、1920年代の藤村は本格的に充實した親としての姿を展開し始めた。200本余りが收錄された童話集『ふるさと』(1920)と『幼きものがたり』(1924)をはじめ、『嵐』(1927)に收錄された短編小說は藤村が父親として、つまり、充實した親として子どもたちを養育していく過程を記錄した作品だ。このように『子供に』は藤村が'親の意識'を確實に自覺するようになったのを見せてくれる作品であり、1920年代藤村文學の展開樣相を解明できるカギになっていることを知ることができる。


This study examines the growth of Toson as a parent beginning after his stay in France through 『To Children』(1917). Just before he fled to France, his wife suddenly died. As a widower, he had to take care of his young children in an unavoidable situation, and his early parental consciousness was immature and negative. However, through 『When the Cherries Ripen』(1917), he began to consider mother and maternity in a positive light in a distant country and, after returning home, started to rely on his mother as a parent. Thus, Toson's parental consciousness began to evolve around the mother. However, the 'father' as a parent appeared for the first time in 『To Children』, which was released during the same time period. The fact that 'mother' appeared at the same time reveals that he was trying to show a true parental affection, caring only about the comfort of his children without being biased. In other words, 『To Children』 was the first work in which Toson showed the right concept of parents. Alongside his development and establishment of a parental consciousness as is shown in 『To Children』, Toson also began to develop as a full-fledged parent in the 1920s. The short stories in 『Hometown』(1920), a collection of more than 200 fairy tales, 『Childhood stories』 (1924), and『Storm』(1927) show his process of raising children as a faithful parent. As such, 『To Children』 demonstrates that Toson became fully aware of 'parental consciousness', and it is the key to explain how Toson's literature in the 1920s developed.

KCI등재

9일본의 근대화 산업유산과 도시재생-도미오카 제사장과 실크산업 유산군을 중심으로-

저자 : 박삼헌 ( Park Sam-hun )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 169-193 (25 pages)

다운로드

(기관인증 필요)

초록보기

本稿は、2014年4月に日本の「近代化産業遺産」としてははじめてUNESCO世界文化遺産に登載された富岡製絲場と絹産業遺産群を通じて日本の近代化産業遺産と都市再生の關係を考察したことである。まず、富岡市が1972年に開催した「日本近代産業發祥100年祭」をきっかけで、富岡製絲場が非西歐圈で唯一に「近代化」に成功した國家というプロパガンダ一が投影された最初の「近代化遺産」として認識される過程を確認した。また、富岡製絲場の保存をめぐる富岡市と片倉工業社の對立、そして世界遺産登錄のための「街つくり」 計畵推進と地域住民の積極的な參與及び協力は核心的觀点から分析されてきた日本の街つくりとは、その內容が全く異なる、むしろ官よりも住民が歷史的公共性をもって私的所有權者を壓迫して推進された、所謂官民一體型の街つくりの事例であることを確認した。


This study investigated the relationship between modern age industrial heritage and urban regeneration in Japan through Tomioka Silk Mill and related sites (富岡製絲場と絹産業遺産群) registered in the UNESCO World Cultural Heritage Sites for the first time as a 'modern age industrial heritage' of Japan in April 2014. First, this study investigated the process in which with the 'Centenary Celebration for the Conception of Japanese Modern Industry' held by Tomioka City in 1972 as a momentum, Tomioka Silk Mill became perceived as the first 'modernized heritage' in which the propaganda that Japan was the only country that succeeded in 'modernization' in the non-Western world was reflected. In addition, this study found out that it was an example of the so-called Machizukuri by the united efforts of officials and people, promoted as the residents rather pressed the right of private ownership, just as good as the government, using historical publicness as a weapon, judging from the characteristics, totally different from the contents of Machizukuri in Japan, which has been analyzed from the innovative perspective, such as the conflict between Tomioka City and Katakura Industries surrounding the preservation of the Tomioka Silk Mill, the promotion of a plan for 'Machizukuri' to register it as a world heritage and the active participation and cooperation of the local residents.

KCI등재

10전쟁과 세대론-구로사와 아키라(黑澤明)의 전전과 전후-

저자 : 조정민 ( Cho Jung-min )

발행기관 : 한국일어일문학회 간행물 : 일어일문학연구 106권 2호 발행 연도 : 2018 페이지 : pp. 195-216 (22 pages)

다운로드

(기관인증 필요)

초록보기

1910年東京で生まれた黑澤明は15年間續いた戰爭期に20代を送り、敗戰後には30代になっていた。敗戰後に30代半ばを向かえていた黑澤は世代的には戰前派に屬するが、彼は樣々な面において同世代とは異なる經驗をしていた。滿州事變が起こる直前である1930年、20歲になった黑澤は徵兵檢査を受けるが徵集對象からは除外された。黑澤の例外的な經驗、つまり戰爭經驗の不在は、結果的には民族主義や國家主義、天皇制に關する檢討の空白へとつながった。彼は戰前はもちろん、戰中や戰後においても映畵を製作しつづけたが、戰中には國策映畵を、被占領中には民主主義映畵を、戰後にはいわゆる「日本的な價値」を標榜する映畵を作り續けた。本稿では黑澤明の戰爭經驗と世代論とを對比させながら、彼が時代をどのように解釋し前景化していったかについて考察してみた。


Kurosawa Akira was born in Tokyo in 1910. He had spent his 20s during the Asia-Pacific War and was in his mid-thirties after losing. Although Kurosawa belongs to the prewar generation, he has a different experience from this generation in many ways. In 1930, right before the Manchuria incident, Kurosawa, who turned 20, underwent a conscription examination but was excluded from the draft. The exceptional experience of Kurosawa, or lack of experience in war, resulted in a vacuum of review on nationalism, nationalism and imperial rule. He was influenced by the war, but he still made movies. He made national films during the Asia-Pacific War and democratic films under U.S. occupation. And after the war, he made a movie that claimed to be Japanese values. In this article, he compared Kurosawa Akira's experiences in war with his generation discourse and discussed how his exceptional experiences became generalization.

12
권호별 보기
가장 많이 인용된 논문

(자료제공: 네이버학술정보)

가장 많이 인용된 논문
| | | |
1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

다운로드

2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

다운로드

가장 많이 참고한 논문

(자료제공: 네이버학술정보)

가장 많이 참고한 논문

다운로드

2미국의 비트코인 규제

(2006)홍길동41회 피인용

다운로드

해당 간행물 관심 구독기관

고려대학교 서울대학교 한국외국어대학교 연세대학교 경희대학교
 116
 100
 69
 49
 48
  • 1 고려대학교 (116건)
  • 2 서울대학교 (100건)
  • 3 한국외국어대학교 (69건)
  • 4 연세대학교 (49건)
  • 5 경희대학교 (48건)
  • 6 세명대학교 (33건)
  • 7 성균관대학교 (33건)
  • 8 전남대학교 (31건)
  • 9 Yanbian University (27건)
  • 10 경북대학교 (27건)

내가 찾은 최근 검색어

최근 열람 자료

맞춤 논문

보관함

내 보관함
공유한 보관함

1:1문의

닫기