간행물

한국중앙영어영문학회> 영어영문학연구

영어영문학연구 update

Journal of The English Language and Literature

  • : 한국중앙영어영문학회
  • : 어문학분야  >  영문학
  • : KCI등재
  • :
  • : 연속간행물
  • : 계간
  • : 1598-3293
  • :
  • :

수록정보
수록범위 : 1권1호(1968)~61권1호(2019) |수록논문 수 : 1,815
영어영문학연구
61권1호(2019년 03월) 수록논문
최근 권호 논문
| | | |

KCI등재

1모리슨의 『하느님 이 아이를 도우소서』: 교차적 억압과 자아정의

저자 : 고득임 ( Ko Deuk Im )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 1-21 (21 pages)

다운로드

(기관인증 필요)

초록보기

The purpose of this paper is to investigate the Black woman's empowerment in Toni Morrison's God Help the Child (2015). Kimberle Crenshaw coins the term “intersectionality,” referring to particular forms of multi-faceted oppression towards Black women in the U.S. Patricia Hill Collins advances Crenshaw's concept in order to describe how concretely these intersecting oppressions are organized. Since they are diversely situated in structural, disciplinary, hegemonic, and interpersonal domains of power, Black women undergo intersecting oppressions of identity politics such as race, gender, sexuality, class, and nation. In God help the Child, Bride, a Black heroine, suffers intersectional oppressions such as racism, colorism and child abuse. Endeavoring to achieve self-definition in her life, Bride, the active and positive Black woman, does not refuse to face problems. Bride achieves her self-definition in the process of searching her broken lover, Booker. In that journey, she realizes complete self-definition, which includes self-reliance, independence, as well as the respect of self and others by interacting with White couple, Rain and Booker. Exemplified by Bride, Morrison illustrates how important it is for a Black woman to empower through Collins's concept of self-definition.

KCI등재

2Dialogic Voices in The Woman Warrior

저자 : Ko Jeongyun

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 23-43 (21 pages)

다운로드

(기관인증 필요)

초록보기

This paper revisits Maxine Hong Kingston's ground breaking novel The Woman Warrior: Memoirs of a Girlhood Among Ghosts. Using Mikhail Bakhtin's theory on dialogic discourses, the paper examines multiple voiced discourses of The Woman Warrior that reveal intricate conflicts embedded in various types of oppressions the Chinese American female narrator faces in America. Through a close reading of the text, the paper attempts to discover multiple voices hidden in The Woman Warrior and examine how these voices prevent the reader from settling in absolute truths from the text. Kingston allows the text to have these heterogenous dialogic voices by first challenging and deconstructing any authoritative discourses that demand unconditional allegiance from listeners. Instead of these authoritative narratives, Kingston makes the narrator create playfully multiple and even conflicting voices that allow the room for heteroglossia to emerge. Examples of these carefully crafted dialogic voices are examined as Kingston's narrative strategy to create heteroglossic world in The Woman Warrior. In the process, the paper argues that Kingston's strategy of using dialogic voices enabled her to effectively represent heterogeneous nature of Chinese American women's lives in the 1970s.

KCI등재

3유한한 생의 인식과 니체적 자기극복: 『바다풍경』을 중심으로

저자 : 곽진아 ( Kwak Jin-a )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 45-63 (19 pages)

다운로드

(기관인증 필요)

초록보기

This paper aims to investigate the Nietzsche's Philosophy in Edward Albee Of Seascape. Albee displays his characters who suffer and live in an absurd world, but he makes them eventually realize the possibility for maturation and change. Albee's characters stand naked, stripped of illusions. Once naked, they are to stand on the brink of transformation through existential experience. Albee always focuses on the possibility that his characters, in the process of becoming, can overcome their destiny. In Seascape, Albee dramatizes the existential growth of humankind, coping with the human finitude. His characters confront the moment of change and they embody existential awakening to overcome life's trials. Nietzsche explains the two types of nihilism. One of them is that man believes life is meaningless. The other is that the time of crisis serves as an opportunity to face up to life. Albee explores both what a man ought to be and how a man should treat the rest of life. Charlie and Sarah suffer from the extreme pain of death and the harsh reality. But They eventually realize facing death has the potential for improving the quality of life. Albee does not write merely about the naturalistic evolution of the human species. Rather, he deals with a kind of spiritual evolution of self-awareness(overcoming).

KCI등재

4예이츠의 「청금석 부조」: 비극적 현실을 변모시키는 예술적 명랑성

저자 : 권영탁 ( Kwon Youngtak )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 65-82 (18 pages)

다운로드

(기관인증 필요)

초록보기

William Butler Yeats, as has shown in “Lapis Lazuli,” created a heroic mask, an alternate self or an anti-self, through artistic imagination. With its free spiritual and artistic gaiety, he thought he could overcome the tragic reality and accomplish salvation by making social, as well as individual change. Saying, “literature has to be a container of truth, and art has to create the values,” he wanted to elevate art and artist to a position of such eminence as only God pertains to. But even though Yeats advocated art's religious function in his work, it should not be thought of as resembling the Christian renewal of the mind and rebirth. The great awakening through artistic gaiety that Yeats speaks of can be compared to the salvation of the so-called self-religion, such as Buddhism or Zen Buddhism, where they reach the spiritual realm of deliverance through their own efforts. However, Christian salvation can be accomplished only by the grace and providence of God. Man can never reach divine perfection and sanctity with his own efforts, none. We should see “Lapis Lazuli” as the pinnacle of his humanistic affirmation, representing his philosophy of poetry in general. We could admire his most humane aspect in that he saw death as a moment of perfection of self-image, and tried to have the sense of tragic gaiety in the midst of the ugly tragedy.

KCI등재

5가사노동을 통한 사회로의 진입: 『다이앤서가 한 일』

저자 : 김여진 ( Kim Yeojin )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 83-102 (20 pages)

다운로드

(기관인증 필요)

초록보기

This paper examines the significance and recognition of domestic labor as a means to free women from their domestic obligation and androcracy in Charlotte Perkins Gilman's What Diantha Did. In Women and Economics, Gilman analyzes the sexuo-economic relation between men and women, and asserts the importance of economic independence of women on men. Futhermore, Gilman sets forth her views that reorganizing domestic labor as a specialized and public work is that women could attain the economic power through the most practical method. Gilman presents a memorable story through heroine Diantha Bell starts her career with domestic labor and to be a successful business woman. Gilman looks forward to changes in the structures of society as a necessary part of domestic revolution and concentrates on increasing the efficiency of capitalistic system. Diantha proves to employer's family and community the benefits of professionalized housekeeping. What Diantha Did connotes Gilman's feminist utopian, and Gilman publishes other utopian novels such as Herland, The Crux. But Gilman wants to be called a humanist not a feminist. Because her visions are idealized the gender equality and progress of society.

KCI등재

6여성의 목소리로 노래하기: 바바라 킹솔버의 『포이즌우드 바이블』 연구

저자 : 이영애 ( Yi Young-ae )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 103-124 (22 pages)

다운로드

(기관인증 필요)

초록보기

The purpose of this study is to analyze Barbara Kingsolver's The Poisonwood Bible from the perspective of subalterns' voices. The five females, Orleanna, Rachel, Leah, Adah, and Ruth May, tell their own stories with the Congolese history. An abusive father and self-righteous husband, Nathan Price risks his whole family in pursuit of missionary obligation in Congo, Africa. The Congolese can't understand his speech, “Tata Jesus is Bangala!” which means the poisonwood tree by his mispronunciation. His domination of his family and Kilanga people ended with Ruth May's unexpected death. Initially, as a dutiful wife, Orleanna follows Nathan's decision, but she initiatively takes a role of guiding her remaining daughters. Rachel, who wants to go back her materialistic world, stays in Africa with her own'The Equatorial' hotel after several marriages. After Adah returns to her American home, she becomes a doctor and embraces her hemiplegia. Leah, who was an advocate of her father, remains in Africa with Anatole and their four sons. As the youngest, Ruth May's naive and energetic character doesn't care about Nathan's religious mission, race, language, or politics. Her death makes her mother and sisters recover their own voices.

KCI등재

7『땀』에 나타난 공간 연구

저자 : 이은주 ( Lee Eun-joo )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 125-147 (23 pages)

다운로드

(기관인증 필요)

초록보기

This paper explores space in Lynn Nottage's Sweat, focusing on spatial concepts conceived by Gill Deleuze and Felix Guattari, and on ritual theory by Victor Turner. The setting for Sweat is a blue-collar bar in Reading, one of the poorest cities in America. In the beginning, the bar works as 'a ritual space' which transcends racial barriers and celebrates an intimate friendship between Tracey, the white factory worker and Cynthia, the black worker. The bar functions as 'smooth space' which could be called flowing, nomadic and directing toward production. As the local economy collapses and Cynthia is promoted to a manager, however, Tracey starts to criticize Cynthia. Tracey and her son, Jason who are laid off, blame their tragedy on other races. Oscar, a Latino, is also a target for their anger, and Stan, the white manager of the bar, tries to block the violence and is beaten. The bar can then become the place of violence and racism. It can thus be evaluated as 'striated space'. This concept of space is more measured, formed and fixed. In the end, Nottage alludes to fragments of hope in the bar, which could lead toward apology and forgiveness. The bar, therefore, is not fixed as striated space. It may function as 'holey space' which bypasses smooth space and striated space. It is in itself double and a hybrid, searching for diversity and harmony.

KCI등재

8샤론 드레이퍼의 『로미에와 훌리오』에 나타난 인종 간 로맨스와 다문화공동체

저자 : 정은숙 ( Jeong Eunsook )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 149-176 (28 pages)

다운로드

(기관인증 필요)

초록보기

The aim of this paper is to examine interracial romance and multicultural community represented in Sharon Draper's Romiette and Julio. Firstly, this paper examines how interracial romance between Romiette Cappelle, an African female, and Julio Montague, a Hispanic male, causes bullying and violence by members of a black gang called 'The Family' or 'the Devildogs'. The characters, contexts and settings represented in Draper's Romiette and Julio are seen as realistic portrayal that shows the complexities of contemporary American classroom. The gang's threat reflects the very similarity to what really goes on in high schools today and shows how the gang gains power and takes control of peers. Secondly, this paper also discusses how the couple continue their relationship and gain their power by overcoming their parents' prejudices and the gang's threats. Lastly, this paper also explores the possibility of Romiette and Julio as a multicultural problem-solving novel in contemporary classroom environment by examining how important role friends and community play in helping young couple develop their interracial romance.

KCI등재

9『아침 기차를 타고 본향으로』에 나타난 홀로코스트의 특유성 논쟁에 대한 킴 하인즈의 입장

저자 : 황규철 ( Hwang Kyu-cheol )

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 177-197 (21 pages)

다운로드

(기관인증 필요)

초록보기

This essay aims at probing into Kim Hines' position on the issue of the uniqueness of the Holocaust through the analysis of the contrapuntal structure and the songs-within-the-play in Home on the Mornin' Train. As for the contrapuntal structure, the play dramatizes two separate escape stories, especially the underground movement in Europe in 1939 and the Underground Railroad in America in 1839 in each scene. As for the songs-within-the play, 6 songs reinforce the theme of the play, that is escape from the political oppression/ persecution to freedom. Besides, some lines of Baruch and Karl reveal the universality of the Holocaust. Some similarities between the two stories are that American slavery and European Nazi ideology were based on racism, that there were some supporters who tried to save the fugitives, and that nothing could defeat the will to escape from oppression/persecution to freedom. In conclusion, the play dramatizes the underground movement in Europe as an extension of the Underground Railroad.

KCI등재

10A Diachronic Study of English Reflexives and Pronouns with Feature Respecification

저자 : Shin Sungkyun

발행기관 : 한국중앙영어영문학회 간행물 : 영어영문학연구 61권 1호 발행 연도 : 2019 페이지 : pp. 199-225 (27 pages)

다운로드

(기관인증 필요)

초록보기

The contrastive pair of Old English (OE) sentences shows that reflexives and pronouns occur in free variation as in gif ic gewitnesse be me cyde ... John 5:31 'if I bear witness about me...' and gif ic cyde gewitnesse be me sylfum ... John 8:14 'if I bear witness about myself ....' To explain pre-Modern English (NE) reflexives and pronouns, the Binding Principles should be modified using lexical parameterization. Pre-NE pronouns, like him from OE to ENE, are ambiguous as to whether the feature specification of him is either [+pronominal, -anaphoric] or [+pronominal, +anaphoric]. With this feature respecification, the Avoid Pronoun Parameter (APP) with a function of avoiding ambiguity should be assumed in co-relationship with markedness theory to explain the diachronic change in English nominal expressions. Here, APP in the diachronic change in English nominal expressions relates to the use of reflexives to avoid pronouns, thereby avoiding ambiguity. Thus, in OE, where reflexives and pronoun exist in free variation, if there is a danger of ambiguity, unmarked reflexives and pronouns are used for coreference and non coreference, respectively. Within the principles-and-parameters framework, this approach provides an adequate account of the diachronic change in reflexives and pronouns from OE to NE.

12
권호별 보기
가장 많이 인용된 논문

(자료제공: 네이버학술정보)

가장 많이 인용된 논문
| | | |
1연안해역에서 석유오염물질의 세균학적 분해에 관한 연구

(2006)홍길동 외 1명심리학41회 피인용

다운로드

2미국의 비트코인 규제

(2006)홍길동심리학41회 피인용

다운로드

가장 많이 참고한 논문

(자료제공: 네이버학술정보)

가장 많이 참고한 논문

다운로드

2미국의 비트코인 규제

(2006)홍길동41회 피인용

다운로드

해당 간행물 관심 구독기관

서울대학교 전북대학교 성균관대학교 한국외국어대학교 고려대학교
 71
 70
 68
 65
 62
  • 1 서울대학교 (71건)
  • 2 전북대학교 (70건)
  • 3 성균관대학교 (68건)
  • 4 한국외국어대학교 (65건)
  • 5 고려대학교 (62건)
  • 6 연세대학교 (61건)
  • 7 경희대학교 (56건)
  • 8 부산대학교 (38건)
  • 9 동국대학교 (35건)
  • 10 강원대학교 (35건)

내가 찾은 최근 검색어

최근 열람 자료

맞춤 논문

보관함

내 보관함
공유한 보관함

1:1문의

닫기